The process of developing work with computation as an artistic medium is often a fantastical one. I'm particularly interested in speculating on how software could manifest if it had continued to be understood as women's work.

We are acutely aware of how impressive and powerful software can be, but often struggle to concieve of how it could be more communal, caring. By using technology to build things that are softer, more colourful and handmade than we are used to seeing, I hope to be a part of making that change possible.